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- Publicado en Sin categoría
Legalizan BITCOINS en Japon
La tierra del sol naciente ha empezado a figurar en el horizonte asiático como una referencia en proyectos y avances regulatorios de blockchain y, especialmente, de Bitcoin. Este significativo crecimiento en tecnología de contabilidad distribuida se ha visto reforzado por el interés de las autoridades japonesas de legalizar el uso de Bitcoin como método de pago en todo el país, medida que será aplicada este próximo primero de abril.
La Agencia de Servicios Financieros de Japón, también conocida como FSA, dio a conocer recientemente en un comunicado público la aplicación de la ley de modificación de las ordenanzas de préstamos de dinero y de la ley de la banca por decreto ministerial sugerido por los abogados de la firma Anderson Mori & Tomotsune el 7 de febrero.
La autoridad también dio a conocer que se realizó una consultoría pública sobre dicha modificación, la cual recaudó un total de 5.307 comentarios de 72 individuos y compañías alrededor de todo el país, quienes dieron su opinión y recomendaciones sobre este asunto.
LAS CASAS DE CAMBIO SE SOMETEN A LAS REGULACIONES
Para hacer a la criptomoneda bitcoin un método de pago legal en Japón esta tecnología debe someterse a un grupo de regulaciones acordadas por la FSA, las cuales se extenderán a las casas de cambio y cualquier tipo de servicio que maneje dinero virtual de las personas.
Las regulaciones van desde requisitos administrativos y legales para el préstamo de servicio por parte de cualquier negocio en Japón, hasta normativas de prevención de transferencias de fondos de actividades ilícitas, como por ejemplo las normas de identidad del cliente (KYC) y anti-lavado de dinero (AML).
Estas normativas ya han empezado a ser aplicadas por casas de cambio del país como Coincheck y Zaif, las cuales ofrecieron a sus clientes un conjunto de requerimientos de identificación que serán de obligatorio cumplimiento.
A diferencia de las medidas de identificación y prevención de lavado de dinero tomadas por el gobierno chino recientemente que obligaron a la suspensión de servicios la mayoría de las casas de cambio del gigante asiático, estas regulaciones promovidas por el gobierno japonés no son tan rigurosas e incluso algunas casas de cambio han notificado ya contenerla en sus reglamentos, como ocurrió con BitFlyer. Por lo cual, no se espera mayores inconvenientes para este primero de abril.
SÓLO UN MÉTODO DE PAGO
Sin embargo, no todo es color de rosas, aunque la legalización de Bitcoin en Japón es un gran paso para esta criptomoneda y para el ecosistema, en general, de blockchain, también posee sus contratiempos. La ley propuesta a la FSA contempla a Bitcoin como método de pago, más no como una moneda propiamente dicha.
Bitflyer define a la nueva ley en un comunicado sobre este tema en los siguientes términos:
Las nueva ley define a Bitcoin y a otras monedas virtuales como una forma de método de pagos, no como una reconocida y legal moneda. Bitcoin seguirá siendo tratada como activo a menos que se realicen futuras revisiones o directivas en la ley de impuestos japonesa.
Esto ha creado cierta inseguridad y dilema en aquellos que han empezado a adoptar a Bitcoin frente a este vacío legal sobre cómo reportar propiamente a las autoridades de impuestos los fondos, así lo ha reportado Nikkei Asian Review. Por los momentos, aquellos inversionistas en Bitcoin han estado reportando los fondos en esta criptomoneda en sus libros y balances de inventario, así como también reflejados como “pasivos”. No obstante, se espera que luego de la puesta en vigencia de esta nueva ley se empiece a reconsiderar sobre este tema en específico.
Por ahora, las autoridades japonesas, así como las grandes compañías y consorcios del país, parecen estar más enfocados en la creación de un lugar transparente y jurídico para la tecnología blockchain en miras de una aplicación financiera nacional. El grupo financiero Mizuho se ha puesto manos a la obra en cuanto a la creación de proyectos en la incubadora blockchain de la compañía para evaluar la aplicación de pagos transfronterizos, uso de bitcoin a nivel bancario y la aplicación de la plataforma Hyperledger. Asimismo, también se ha desatado una ola de inversionistas de gigantes financieros en conjunto con el posicionamiento de Japón como el país de mayor transa de Bitcoin.
- Publicado en TECNO
Musica para Trabajar Vol I . Andrew Wheatherall.
Andrew Weatherall tiene en la escena desde los comienzos del acid house. Weatherall es un experimentador sonoro que ha contribuido como ningún otro al desarrollo de la música . El comienzo de su carrera podemos situarlo a comienzos de los noventa con la producción del Screamadelica de los Primal Scream, un álbum que acercó el rock a la electronica . Más tarde formaría el grupo The Sabres of Paradise que supuso su vuelta a la experimentación con los sonidos oscuros.Tras la disolución de Sabres, Andrew se unió a Keith Tenniswood para formar Two Lone Swordsmen, con el que se han dedicado ha crear su propio estilo lo-fi.
Entre mix y mix no ha dejado de lado la gestión del sello Rotters Golf Club de tal manera que incluso en 2006 decidió lanzar un maxi con su propio nombre titulado The Bullet Catcher’s Apprentice en el que llegaba a flirtear con el new disco, el rock y el electro-house más volátil. Ese año fue bastante productivo para el británico ya que también editó remixes para The Orb y se editaron re-ediciones de su trabajo para Alter Ego para ello recuperó su seudónimo Two Lone Swordsmen- y su remezcla del tema Weekender para el grupo de indie Flowered Up original de 1992 o el mítico Hallelujah de los no menos míticos Happy Mondays que se incluyó en el recopilatorio The Haçienda Classics (Virgin). En 2007 sorprendió a propios y extraños con una sesión de rockabilly con la que Soma inauguraba la coleccción Sci-Fi-Lo-Fi. Un año después sacó el Cd mix Watch The Ride en el sello Harmless en el que mezclaba temas de Mock & Toof, Cosmo Vitelli, Padded Cell o un remix suyo para la mítica Siouxsie.
- Publicado en Sugar Music
Future Is Here!
he term minimalism is also used to describe a trend in design and architecture where in the subject is reduced to its necessary elements. Minimalist design has been highly influenced by Japanese traditional design and architecture. In addition, the work of De Stijl artists is a major source of reference for this kind of work.
Architect Ludwig Mies van der Rohe adopted the motto Less is more to describe his aesthetic tactic of arranging the numerous necessary components of a building to create an impression of extreme simplicity, by enlisting every element and detail to serve multiple visual and functional purposes (such as designing a floor to also serve as the radiator, or a massive fireplace to also house the bathroom). Designer Buckminster Fuller adopted the engineer’s goal of Doing more with less, but his concerns were oriented towards technology and engineering rather than aesthetics. A similar sentiment was industrial designer Dieter Rams’ motto, Less but better adapted from Mies. The structure uses relatively simple elegant designs; ornamentations are quality rather than quantity. The structure’s beauty is also determined by playing with lighting, using the basic geometric shapes as outlines, using only a single shape or a small number of like shapes for components for design unity, using tasteful non-fussy bright color combinations, usually natural textures and colors, and clean and fine finishes.
USING SOMETIMES THE BEAUTY OF NATURAL PATTERNS ON STONE CLADDING AND REAL WOOD ENCAPSULATED WITHIN ORDERED SIMPLIFIED STRUCTURES, AND REAL METAL PRODUCING A SIMPLIFIED BUT PRESTIGIOUS ARCHITECTURE AND INTERIOR DESIGN.
Using sometimes the beauty of natural patterns on stone cladding and real wood encapsulated within ordered simplified structures, and real metal producing a simplified but prestigious architecture and interior design. May use color brightness balance and contrast between surface colors to improve visual aesthetics. The structure would usually have industrial and space age style utilities (lamps, stoves, stairs, technology, etc.), neat and straight components (like walls or stairs) that appear to be machined with equipment, flat or nearly flat roofs, pleasing negative spaces, and large windows to let in lots of sunlight. This and science fiction may have contributed to the late twentieth century futuristic architecture design, and modern home decor. Modern minimalist home architecture with its unnecessary internal walls removed probably have led to the popularity of the open plan kitchen and living room style. De Stijl expanded the ideas that could be expressed by using basic elements such as lines and planes organized in very particular manners.
Another modern designer who exemplifies reductivist ideas is Luis Barragán. In minimalism, the architectural designers pay special attention to the connection between perfect planes, elegant lighting, and careful consideration of the void spaces left by the removal of three-dimensional shapes from an architectural design. The more attractive looking minimalist home designs are not truly minimalist, because these use more expensive building materials and finishes, and are relatively larger.
Contemporary architects working in this tradition include John Pawson, Eduardo Souto de Moura, Álvaro Siza Vieira, Tadao Ando, Alberto Campo Baeza, Yoshio Taniguchi, Peter Zumthor, Hugh Newell Jacobsen, Vincent Van Duysen, Claudio Silvestrin, Michael Gabellini, and Richard Gluckman.
Docendo Discimus
he term minimalism is also used to describe a trend in design and architecture where in the subject is reduced to its necessary elements. Minimalist design has been highly influenced by Japanese traditional design and architecture. In addition, the work of De Stijl artists is a major source of reference for this kind of work.
Architect Ludwig Mies van der Rohe adopted the motto Less is more to describe his aesthetic tactic of arranging the numerous necessary components of a building to create an impression of extreme simplicity, by enlisting every element and detail to serve multiple visual and functional purposes (such as designing a floor to also serve as the radiator, or a massive fireplace to also house the bathroom). Designer Buckminster Fuller adopted the engineer’s goal of Doing more with less, but his concerns were oriented towards technology and engineering rather than aesthetics. A similar sentiment was industrial designer Dieter Rams’ motto, Less but better adapted from Mies. The structure uses relatively simple elegant designs; ornamentations are quality rather than quantity. The structure’s beauty is also determined by playing with lighting, using the basic geometric shapes as outlines, using only a single shape or a small number of like shapes for components for design unity, using tasteful non-fussy bright color combinations, usually natural textures and colors, and clean and fine finishes.
USING SOMETIMES THE BEAUTY OF NATURAL PATTERNS ON STONE CLADDING AND REAL WOOD ENCAPSULATED WITHIN ORDERED SIMPLIFIED STRUCTURES, AND REAL METAL PRODUCING A SIMPLIFIED BUT PRESTIGIOUS ARCHITECTURE AND INTERIOR DESIGN.
Using sometimes the beauty of natural patterns on stone cladding and real wood encapsulated within ordered simplified structures, and real metal producing a simplified but prestigious architecture and interior design. May use color brightness balance and contrast between surface colors to improve visual aesthetics. The structure would usually have industrial and space age style utilities (lamps, stoves, stairs, technology, etc.), neat and straight components (like walls or stairs) that appear to be machined with equipment, flat or nearly flat roofs, pleasing negative spaces, and large windows to let in lots of sunlight. This and science fiction may have contributed to the late twentieth century futuristic architecture design, and modern home decor. Modern minimalist home architecture with its unnecessary internal walls removed probably have led to the popularity of the open plan kitchen and living room style. De Stijl expanded the ideas that could be expressed by using basic elements such as lines and planes organized in very particular manners.
Another modern designer who exemplifies reductivist ideas is Luis Barragán. In minimalism, the architectural designers pay special attention to the connection between perfect planes, elegant lighting, and careful consideration of the void spaces left by the removal of three-dimensional shapes from an architectural design. The more attractive looking minimalist home designs are not truly minimalist, because these use more expensive building materials and finishes, and are relatively larger.
Contemporary architects working in this tradition include John Pawson, Eduardo Souto de Moura, Álvaro Siza Vieira, Tadao Ando, Alberto Campo Baeza, Yoshio Taniguchi, Peter Zumthor, Hugh Newell Jacobsen, Vincent Van Duysen, Claudio Silvestrin, Michael Gabellini, and Richard Gluckman.
- Publicado en Art
Stress On Workplace?
he term minimalism is also used to describe a trend in design and architecture where in the subject is reduced to its necessary elements. Minimalist design has been highly influenced by Japanese traditional design and architecture. In addition, the work of De Stijl artists is a major source of reference for this kind of work.
Architect Ludwig Mies van der Rohe adopted the motto Less is more to describe his aesthetic tactic of arranging the numerous necessary components of a building to create an impression of extreme simplicity, by enlisting every element and detail to serve multiple visual and functional purposes (such as designing a floor to also serve as the radiator, or a massive fireplace to also house the bathroom). Designer Buckminster Fuller adopted the engineer’s goal of Doing more with less, but his concerns were oriented towards technology and engineering rather than aesthetics. A similar sentiment was industrial designer Dieter Rams’ motto, Less but better adapted from Mies. The structure uses relatively simple elegant designs; ornamentations are quality rather than quantity. The structure’s beauty is also determined by playing with lighting, using the basic geometric shapes as outlines, using only a single shape or a small number of like shapes for components for design unity, using tasteful non-fussy bright color combinations, usually natural textures and colors, and clean and fine finishes.
USING SOMETIMES THE BEAUTY OF NATURAL PATTERNS ON STONE CLADDING AND REAL WOOD ENCAPSULATED WITHIN ORDERED SIMPLIFIED STRUCTURES, AND REAL METAL PRODUCING A SIMPLIFIED BUT PRESTIGIOUS ARCHITECTURE AND INTERIOR DESIGN.
Using sometimes the beauty of natural patterns on stone cladding and real wood encapsulated within ordered simplified structures, and real metal producing a simplified but prestigious architecture and interior design. May use color brightness balance and contrast between surface colors to improve visual aesthetics. The structure would usually have industrial and space age style utilities (lamps, stoves, stairs, technology, etc.), neat and straight components (like walls or stairs) that appear to be machined with equipment, flat or nearly flat roofs, pleasing negative spaces, and large windows to let in lots of sunlight. This and science fiction may have contributed to the late twentieth century futuristic architecture design, and modern home decor. Modern minimalist home architecture with its unnecessary internal walls removed probably have led to the popularity of the open plan kitchen and living room style. De Stijl expanded the ideas that could be expressed by using basic elements such as lines and planes organized in very particular manners.
Another modern designer who exemplifies reductivist ideas is Luis Barragán. In minimalism, the architectural designers pay special attention to the connection between perfect planes, elegant lighting, and careful consideration of the void spaces left by the removal of three-dimensional shapes from an architectural design. The more attractive looking minimalist home designs are not truly minimalist, because these use more expensive building materials and finishes, and are relatively larger.
Contemporary architects working in this tradition include John Pawson, Eduardo Souto de Moura, Álvaro Siza Vieira, Tadao Ando, Alberto Campo Baeza, Yoshio Taniguchi, Peter Zumthor, Hugh Newell Jacobsen, Vincent Van Duysen, Claudio Silvestrin, Michael Gabellini, and Richard Gluckman.
- Publicado en Lifestyle
Music Is My Life
he term minimalism is also used to describe a trend in design and architecture where in the subject is reduced to its necessary elements. Minimalist design has been highly influenced by Japanese traditional design and architecture. In addition, the work of De Stijl artists is a major source of reference for this kind of work.
Architect Ludwig Mies van der Rohe adopted the motto Less is more to describe his aesthetic tactic of arranging the numerous necessary components of a building to create an impression of extreme simplicity, by enlisting every element and detail to serve multiple visual and functional purposes (such as designing a floor to also serve as the radiator, or a massive fireplace to also house the bathroom). Designer Buckminster Fuller adopted the engineer’s goal of Doing more with less, but his concerns were oriented towards technology and engineering rather than aesthetics. A similar sentiment was industrial designer Dieter Rams’ motto, Less but better adapted from Mies. The structure uses relatively simple elegant designs; ornamentations are quality rather than quantity. The structure’s beauty is also determined by playing with lighting, using the basic geometric shapes as outlines, using only a single shape or a small number of like shapes for components for design unity, using tasteful non-fussy bright color combinations, usually natural textures and colors, and clean and fine finishes.
USING SOMETIMES THE BEAUTY OF NATURAL PATTERNS ON STONE CLADDING AND REAL WOOD ENCAPSULATED WITHIN ORDERED SIMPLIFIED STRUCTURES, AND REAL METAL PRODUCING A SIMPLIFIED BUT PRESTIGIOUS ARCHITECTURE AND INTERIOR DESIGN.
Using sometimes the beauty of natural patterns on stone cladding and real wood encapsulated within ordered simplified structures, and real metal producing a simplified but prestigious architecture and interior design. May use color brightness balance and contrast between surface colors to improve visual aesthetics. The structure would usually have industrial and space age style utilities (lamps, stoves, stairs, technology, etc.), neat and straight components (like walls or stairs) that appear to be machined with equipment, flat or nearly flat roofs, pleasing negative spaces, and large windows to let in lots of sunlight. This and science fiction may have contributed to the late twentieth century futuristic architecture design, and modern home decor. Modern minimalist home architecture with its unnecessary internal walls removed probably have led to the popularity of the open plan kitchen and living room style. De Stijl expanded the ideas that could be expressed by using basic elements such as lines and planes organized in very particular manners.
Another modern designer who exemplifies reductivist ideas is Luis Barragán. In minimalism, the architectural designers pay special attention to the connection between perfect planes, elegant lighting, and careful consideration of the void spaces left by the removal of three-dimensional shapes from an architectural design. The more attractive looking minimalist home designs are not truly minimalist, because these use more expensive building materials and finishes, and are relatively larger.
Contemporary architects working in this tradition include John Pawson, Eduardo Souto de Moura, Álvaro Siza Vieira, Tadao Ando, Alberto Campo Baeza, Yoshio Taniguchi, Peter Zumthor, Hugh Newell Jacobsen, Vincent Van Duysen, Claudio Silvestrin, Michael Gabellini, and Richard Gluckman.
- Publicado en Art
Sea Of Opportunities
he term minimalism is also used to describe a trend in design and architecture where in the subject is reduced to its necessary elements. Minimalist design has been highly influenced by Japanese traditional design and architecture. In addition, the work of De Stijl artists is a major source of reference for this kind of work.
Architect Ludwig Mies van der Rohe adopted the motto Less is more to describe his aesthetic tactic of arranging the numerous necessary components of a building to create an impression of extreme simplicity, by enlisting every element and detail to serve multiple visual and functional purposes (such as designing a floor to also serve as the radiator, or a massive fireplace to also house the bathroom). Designer Buckminster Fuller adopted the engineer’s goal of Doing more with less, but his concerns were oriented towards technology and engineering rather than aesthetics. A similar sentiment was industrial designer Dieter Rams’ motto, Less but better adapted from Mies. The structure uses relatively simple elegant designs; ornamentations are quality rather than quantity. The structure’s beauty is also determined by playing with lighting, using the basic geometric shapes as outlines, using only a single shape or a small number of like shapes for components for design unity, using tasteful non-fussy bright color combinations, usually natural textures and colors, and clean and fine finishes.
USING SOMETIMES THE BEAUTY OF NATURAL PATTERNS ON STONE CLADDING AND REAL WOOD ENCAPSULATED WITHIN ORDERED SIMPLIFIED STRUCTURES, AND REAL METAL PRODUCING A SIMPLIFIED BUT PRESTIGIOUS ARCHITECTURE AND INTERIOR DESIGN.
Using sometimes the beauty of natural patterns on stone cladding and real wood encapsulated within ordered simplified structures, and real metal producing a simplified but prestigious architecture and interior design. May use color brightness balance and contrast between surface colors to improve visual aesthetics. The structure would usually have industrial and space age style utilities (lamps, stoves, stairs, technology, etc.), neat and straight components (like walls or stairs) that appear to be machined with equipment, flat or nearly flat roofs, pleasing negative spaces, and large windows to let in lots of sunlight. This and science fiction may have contributed to the late twentieth century futuristic architecture design, and modern home decor. Modern minimalist home architecture with its unnecessary internal walls removed probably have led to the popularity of the open plan kitchen and living room style. De Stijl expanded the ideas that could be expressed by using basic elements such as lines and planes organized in very particular manners.
Another modern designer who exemplifies reductivist ideas is Luis Barragán. In minimalism, the architectural designers pay special attention to the connection between perfect planes, elegant lighting, and careful consideration of the void spaces left by the removal of three-dimensional shapes from an architectural design. The more attractive looking minimalist home designs are not truly minimalist, because these use more expensive building materials and finishes, and are relatively larger.
Contemporary architects working in this tradition include John Pawson, Eduardo Souto de Moura, Álvaro Siza Vieira, Tadao Ando, Alberto Campo Baeza, Yoshio Taniguchi, Peter Zumthor, Hugh Newell Jacobsen, Vincent Van Duysen, Claudio Silvestrin, Michael Gabellini, and Richard Gluckman.
- Publicado en Uncategorized
How Beneficial Is Running?
he term minimalism is also used to describe a trend in design and architecture where in the subject is reduced to its necessary elements. Minimalist design has been highly influenced by Japanese traditional design and architecture. In addition, the work of De Stijl artists is a major source of reference for this kind of work.
Architect Ludwig Mies van der Rohe adopted the motto Less is more to describe his aesthetic tactic of arranging the numerous necessary components of a building to create an impression of extreme simplicity, by enlisting every element and detail to serve multiple visual and functional purposes (such as designing a floor to also serve as the radiator, or a massive fireplace to also house the bathroom). Designer Buckminster Fuller adopted the engineer’s goal of Doing more with less, but his concerns were oriented towards technology and engineering rather than aesthetics. A similar sentiment was industrial designer Dieter Rams’ motto, Less but better adapted from Mies. The structure uses relatively simple elegant designs; ornamentations are quality rather than quantity. The structure’s beauty is also determined by playing with lighting, using the basic geometric shapes as outlines, using only a single shape or a small number of like shapes for components for design unity, using tasteful non-fussy bright color combinations, usually natural textures and colors, and clean and fine finishes.
USING SOMETIMES THE BEAUTY OF NATURAL PATTERNS ON STONE CLADDING AND REAL WOOD ENCAPSULATED WITHIN ORDERED SIMPLIFIED STRUCTURES, AND REAL METAL PRODUCING A SIMPLIFIED BUT PRESTIGIOUS ARCHITECTURE AND INTERIOR DESIGN.
Using sometimes the beauty of natural patterns on stone cladding and real wood encapsulated within ordered simplified structures, and real metal producing a simplified but prestigious architecture and interior design. May use color brightness balance and contrast between surface colors to improve visual aesthetics. The structure would usually have industrial and space age style utilities (lamps, stoves, stairs, technology, etc.), neat and straight components (like walls or stairs) that appear to be machined with equipment, flat or nearly flat roofs, pleasing negative spaces, and large windows to let in lots of sunlight. This and science fiction may have contributed to the late twentieth century futuristic architecture design, and modern home decor. Modern minimalist home architecture with its unnecessary internal walls removed probably have led to the popularity of the open plan kitchen and living room style. De Stijl expanded the ideas that could be expressed by using basic elements such as lines and planes organized in very particular manners.
Another modern designer who exemplifies reductivist ideas is Luis Barragán. In minimalism, the architectural designers pay special attention to the connection between perfect planes, elegant lighting, and careful consideration of the void spaces left by the removal of three-dimensional shapes from an architectural design. The more attractive looking minimalist home designs are not truly minimalist, because these use more expensive building materials and finishes, and are relatively larger.
Contemporary architects working in this tradition include John Pawson, Eduardo Souto de Moura, Álvaro Siza Vieira, Tadao Ando, Alberto Campo Baeza, Yoshio Taniguchi, Peter Zumthor, Hugh Newell Jacobsen, Vincent Van Duysen, Claudio Silvestrin, Michael Gabellini, and Richard Gluckman.
- Publicado en Sport
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